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亚历山大·尼·巴拉诺夫",找到
2 部影片
电影
正片
1988
/俄罗斯
/ 剧情片
Inthebleakfilmscapeofglasnost,TheNeedlestoodoutasablacksheepofamovie.ThemostplayfulandoffbeatoftheSovietfilmsoftheperiod,itcontrastedsharplytothemainstream,whichwasoverwhelmedwithrevisionismoftheStalinistpastandnihilisticsocialcriticism.Madein1988byayoungKazakhdirector,RashidNugmanov,freshoutofVGIK(thenationalfilmschool),TheNeedlewasapioneeringeffortinseveralways.Havingcomefromaremote,stagnantrepublicofKazakhstan,thepicturesetoffamovementthathascometobeknownasthe"KazakhNewWave."RepresentedbysuchworksasAlexanderBaranov'sandBakhytKilibayev'sTheThree(1988)andWomanoftheDay(1990);Kilibayev'sTheTick(1990);Baranov'sHeandShe(1990);AbaiKarpykov'sLittleFishinLove(1989);andSerikAprymov'sTheLastStop(1989),theKazakhNewWavewasfortheagonizingSovietfilmofthelate1980swhattheFrenchNewWavewasforthedustyFrenchfilmofthelate1950s.TheNeedlewasthemovement'saboutdesouffle.ThefilmalsobecameamodelfortheRussianversionofpostmodernism—